000			02196nam a2200265 a 4500
005			20151124144944.0
008			120924s2011 gw a gr 00110 eng d
020			_a9783836525084
020			_a3836525089
041	0		_aeng
082	0	4	_a720.952 _bK665p _221
100	1		_aKoolhaas, Rem, _d1944-
245	1	0	_aProject Japan _bmetabolism talks... _cRem Koolhaas, Hans Ulrich Obrist.
250			_a1a. ed.
260	3		_aKöln _bTaschen _c2011
300			_a719 p. _bil. _c24 cm
504			_aIncluye bibliografía e índice.
505	0		_a-- Arata Isozaki -- Toshiro Kato -- Kiyonori kikutake -- Metabolism 1960 -- Noboru kawazoe -- Fumihiko Maki -- kisho Kurokawa -- Kenji ekuan --Takako Tange Noritaka tange -- Atsushi shimokobe -- Postscrpis: Toyo Ito
520	1		_a“Once there was a nation that went to war, but after they conquered a continent their own country was destroyed by atom bombs... then the victors imposed democracy on the vanquished. For a group of apprentice architects, artists, and designers, led by a visionary, the dire situation of their country was not an obstacle but an inspiration to plan and think… although they were very different characters, the architects worked closely together to realize their dreams, staunchly supported by a super-creative bureaucracy and an activist state... after 15 years of incubation, they surprised the world with a new architecture—Metabolism—that proposed a radical makeover of the entire land... Then newspapers, magazines, and TV turned the architects into heroes: thinkers and doers, thoroughly modern men… Through sheer hard work, discipline, and the integration of all forms of creativity, their country, Japan, became a shining example... when the oil crisis initiated the end of the West, the architects of Japan spread out over the world to define the contours of a post-Western aesthetic....” —Rem Koolhaas / Hans Ulrich Obrist
610	2	4	_aAMO (Firma) _x Trabajos escultóricos. _975553
650	1	7	_aArquitectura moderna _z Japón _y Siglo XX. _2ARMARC _975554
700	1		_aOta, Kayoko, _eed. _975555
700	1		_aWestcott, James, _eed. _975556
942			_cPRE _h720 _2ddc
999			_c193749 _d193749